ပုဂံေခတ္ ဗိသုကာႎႀင့္ အႎုပညာမဵား ေပၞေပၝက္ တိုးတက္ ေဴပာင္းလဲလာပံု

၁၉၆၉ ေမလထုတ္ ဴပည္ေထာင္စု ဴမန္မာႎိုင္ငံ စာေပႎႀင့္ လူမႁေရး သိပၯံဂဵာနယ္ အတၾဲ ၂၊ အမႀတ္ ၂ မႀာ ေရးသား ေဖာ္ဴပခဲ့တဲ့ ဗိုလ္မႀႃး ဘရႀင္ရဲႚ "ပုဂံေခတ္ ဗိသုကာႎႀင့္ အႎုပညာမဵား ေပၞေပၝက္ တိုးတက္ ေဴပာင္းလဲလာပံု" သုေတသန ေဆာင္းပၝးကို ဴပန္လည္ လၿင့္တင္ ေပးလိုက္တာ ဴဖစ္ပၝတယ္။ ဒီစာတမ္းကို University of Washington online library ကေန ရရႀိခဲ့တာ ဴဖစ္ပၝတယ္။ . * . အ႟ၾယ္အစား 4.1 MB - ဖိုင္အမဵႂိးအစား application/pdf . * . . . . . . . . . . . [Analysis of Bagan art and architecture that concludes that it is a fusion of Mon and Pyu motifs. Believes that Bagan people modified and created new art forms, as illustrated in prominent temples and pagodas like Ananda, Gadawpalin, Htilominlo, Sulamani, and Thatbyinnyu. They reveal how Bagan Pagodas systematically modified the built structures of earlier civilizations. The interior design and painting in Bagan's early period is a style akin to that found in Southern Indian; whereas later Bagan art is more like the Northern Indian style. The author believes that the wealth of donors and their good will was earned because they imagined Bagan to be a center of world miracles.]

ဖိုင္ကို ရ႟ႀိႎိုင္ဖိုႚအတၾက္ ဒီမႀာႎႀိပ္လိုက္ပၝ